{"id":738,"date":"2019-06-13T14:34:07","date_gmt":"2019-06-13T12:34:07","guid":{"rendered":"https:\/\/talivera.fr\/actualites\/?p=738"},"modified":"2020-12-16T18:02:28","modified_gmt":"2020-12-16T17:02:28","slug":"la-collection-buhrle-victime-dartnapping-retour-sur-laffaire-de-2008","status":"publish","type":"post","link":"https:\/\/talivera.fr\/actualites\/la-collection-buhrle-victime-dartnapping-retour-sur-laffaire-de-2008\/","title":{"rendered":"La collection B\u00fchrle victime d’artnapping, retour sur l’affaire de 2008 !"},"content":{"rendered":"\n

Si le mus\u00e9e Maillol propose en ce\nmoment une exposition reprenant certains chefs d\u2019\u0153uvres de la grande collection\nB\u00fchrle, les \u0153uvres ne sont pas arriv\u00e9es au\nmus\u00e9e telles qu\u2019elles ! Elles ont un pass\u00e9 charg\u00e9 d\u2019histoire et de\nrebondissements ! C\u2019est sur l\u2019histoire de quatre \u0153uvres de la collection\nque nous nous penchons. <\/p>\n\n\n\n

<\/p>\n\n\n\n

Le plus important vol d’\u0153uvres d’art jamais commis en Europe \ud83d\ude32<\/strong><\/h2>\n\n\n\n

Le 18 f\u00e9vrier 2018, quatre \u0153uvres d\u2019artistes\nmajeurs \u00e0 la transition entre le XIX\u00e8me et le XX\u00e8me sont vol\u00e9es.<\/p>\n\n\n\n

Les \u0153uvres d\u00e9rob\u00e9es ne sont autre que Le Champ de coquelicots pr\u00e8s de V\u00e9theuil<\/em>, (1880) par Claude Monet, Branches de marronnier en fleur<\/em> (1890) de Vincent Van Gogh, Ludovic Lepic et ses filles <\/em>(1871) d\u2019Edgar Degas et Le Gar\u00e7on au gilet rouge, <\/em>(1888) de Paul C\u00e9zanne. \ud83c\udfa8 \ud83d\udc68\u200d<\/strong><\/p>\n\n\n\n

\"\"
Le Gar\u00e7on au gilet rouge, <\/em>(1888) de Paul C\u00e9zanne<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Branches de marronnier en fleur<\/em> (1890) de Vincent Van Gogh
<\/figcaption><\/figure><\/div>\n\n\n\n

3 minutes pour d\u00e9rober 115 millions de francs suisses !<\/strong> \ud83d\udd63\ud83d\udcb8<\/strong><\/h2>\n\n\n\n

3 minutes ! C\u2019est le temps qu\u2019on pris les 3 hommes v\u00eatus de noir, cagoul\u00e9s et arm\u00e9s pour d\u00e9rober les \u0153uvres. Aucune victime \u00e0 d\u00e9plorer. Pendant que deux des trois larrons d\u00e9crochaient les \u0153uvres, le troisi\u00e8me tenait les visiteurs de la grande maison patricienne en respect. <\/p>\n\n\n\n

Apr\u00e8s estimations, Lukas Gloor, directeur de la collection B\u00fchrle a annonc\u00e9 que la valeur des \u0153uvres vol\u00e9es s’\u00e9levait \u00e0 180 millions de francs suisses !<\/p>\n\n\n\n

Victimes ou victorieuses de leur succ\u00e8s ? <\/strong>\ud83d\ude33<\/h2>\n\n\n\n

Les \u0153uvres ont \u00e9t\u00e9 consid\u00e9r\u00e9es comme trop connues pour \u00eatre vendues ! Dans ce cas pourquoi voler une \u0153uvre ? Probablement pour demander une ran\u00e7on en \u00e9change ! <\/p>\n\n\n\n

De plus, les voleurs auraient pu voler d’autres \u0153uvres plus connues, mais il semble que l’argument principal n’\u00e9tait pas celui de la valeur des \u0153uvres mais bien des questions pratiques. <\/p>\n\n\n\n

\u00ab\u00a0Des \u0153uvres encore plus ch\u00e8res se trouvaient dans cette pi\u00e8ce, mais les voleurs ne les ont pas prises parce qu’ils ne pouvaient tout simplement pas en porter plus.\u00a0\u00bb <\/em>Lukas Gloor, directeur de la collection B\u00fchrle<\/p>\n\n\n\n

Selon Thomas Seydoux, sp\u00e9cialiste de Christie’s, le choix des tableaux vol\u00e9s est assez al\u00e9atoire. Les voleurs se sont empar\u00e9 de ces trois tableaux parce qu\u2019ils se trouvaient sur deux murs voisins. <\/p>\n\n\n\n

De la Suisse au Mus\u00e9e Maillol en passant par la Serbie ! \ud83d\uddfa<\/strong><\/h2>\n\n\n\n

Deux semaines, c’est le temps qu’il a fallu aux autorit\u00e9s pour retrouver le Van Gogh et le Monet ! Ils se trouvaient dans une voiture (pas ferm\u00e9e \u00e0 cl\u00e9) et situ\u00e9e \u00e0 500 m\u00e8tres du Mus\u00e9e B\u00fchrle ! <\/p>\n\n\n\n

En 2012, les deux autres tableaux refont surface ! Celui de C\u00e9zanne dont la valeur avoisine 80 millions d’euros, a \u00e9t\u00e9 retrouv\u00e9 cach\u00e9 derri\u00e8re la tapisserie du toit d’une voiture \u00e0 Belgrade. Enfin, le dernier tableau de Degas est retrouv\u00e9, en Serbie aussi. Son prix \u00e9tait alors estim\u00e9 \u00e0 10 millions d’euros ! De quoi compl\u00e9ter la collection ! <\/p>\n\n\n\n

Vers de nouvelles formes de kidnappage, L\u2019artnapping <\/em>\ud83e\uddd0<\/strong><\/h2>\n\n\n\n

Interpol (l’Organisation internationale de police criminelle) recense 30 000 vols d\u2019\u0153uvres d\u2019art dans ses bases de donn\u00e9es. Le FBI estime ce \u00e0 4,1 milliards d’euros\u2026 Mais pourquoi voler des \u0153uvres invendables ? <\/p>\n\n\n\n

Yves Ficher, de l’Office f\u00e9d\u00e9ral de la\nculture, a d\u00e9clar\u00e9 \u00e0 la Radio suisse romande : \u00ab\u00a0C’est une forme de chantage, [\u2026] il n’est pas exclu qu’une\ndemande de ran\u00e7on soit faite. On conna\u00eet aussi le syst\u00e8me d’\u00e9change contre\nd’autres biens en provenance d’activit\u00e9s criminelles, comme de la drogue ou des\narmes. De tels cas ont \u00e9t\u00e9 signal\u00e9s en Am\u00e9rique latine et en Floride.\u00a0\u00bb<\/em>\n<\/p>\n\n\n\n

L\u2019artnapping repr\u00e9senterait environ 60 \u00e0 70% des\nvols ! <\/p>\n\n\n\n

D\u2019autre part, voler de telles \u0153uvres d\u2019art pourrait permettre de r\u00e9duire les peines de prisons pour des personnes interpell\u00e9es pour d’autres affaires\u2026 Un vrai march\u00e9 ! <\/p>\n\n\n\n

<\/p>\n\n\n\n

Cliquer ici pour assister \u00e0 la prochaine sortie au mus\u00e9e Maillol avec TALIVERA le 23 juin ! <\/a><\/p>\n\n\n\n

Restons connect\u00e9s, rejoignez-nous sur Instagram<\/a><\/strong> et Facebook<\/a><\/strong> \ud83d\ude0a<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Si le mus\u00e9e Maillol propose en ce moment une exposition reprenant certains chefs d\u2019\u0153uvres de la grande collection B\u00fchrle, les \u0153uvres ne sont pas arriv\u00e9es au mus\u00e9e telles qu\u2019elles ! Elles ont un pass\u00e9 charg\u00e9 d\u2019histoire et de rebondissements ! C\u2019est sur l\u2019histoire de quatre \u0153uvres de la collection que nous nous penchons. Le plus important vol …<\/p>\n

La collection B\u00fchrle victime d’artnapping, retour sur l’affaire de 2008 !<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[197,21],"tags":[],"class_list":["post-738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-le-bien-etre-grace-a-la-culture","category-exposition-2"],"yoast_head":"\nLa collection B\u00fchrle victime d'artnapping, retour sur l'affaire de 2008 ! - Culture Bien-\u00eatre<\/title>\n<meta name=\"description\" content=\"La collection B\u00fchrle a \u00e9t\u00e9 au centre d'une affaire de vol en 2008. 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