{"id":492,"date":"2019-06-05T13:56:21","date_gmt":"2019-06-05T11:56:21","guid":{"rendered":"https:\/\/talivera.fr\/actualites\/?p=492"},"modified":"2019-06-08T11:08:07","modified_gmt":"2019-06-08T09:08:07","slug":"quand-theatre-rime-avec-performance","status":"publish","type":"post","link":"https:\/\/talivera.fr\/actualites\/quand-theatre-rime-avec-performance\/","title":{"rendered":"Le Bruit des arbres qui tombent : quand \u00ab\u00a0Th\u00e9\u00e2tre\u00a0\u00bb rime avec \u00ab\u00a0Performance\u00a0\u00bb"},"content":{"rendered":"\n

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Repr\u00e9sent\u00e9e au Th\u00e9\u00e2tre de la Bastille, Le Bruit des arbres qui tombent<\/em>, est bien plus qu’une pi\u00e8ce de th\u00e9\u00e2tre. C’est une performance artistique \u00e0 travers laquelle le spectateur voyage, en immersion dans un univers po\u00e9tique. S\u2019inscrivant dans la lign\u00e9e dans Happy Child<\/em>, entre th\u00e9\u00e2tre, danse et arts plastiques. Elle y insiste sur la vuln\u00e9rabilit\u00e9 de l\u2019Homme sur terre dans des repr\u00e9sentations po\u00e9tiques. <\/p>\n\n\n\n

Le langage du corps se substitue au langage de la parole <\/strong>\ud83e\udd10<\/p>\n\n\n\n

Dans Le Bruit des arbres qui tombent<\/em><\/strong>, la parole est utilis\u00e9e avec mesure. C\u2019est d\u2019ailleurs l\u2019usage du corps<\/strong> qui prime sur celui de la parole. Comme s\u2019il \u00e9tait tout aussi charg\u00e9 de sens.<\/strong> Tout est calcul\u00e9, ma\u00eetris\u00e9. \ud83c\udf32\ud83c\udf33<\/em><\/p>\n\n\n\n

Mais la pi\u00e8ce n\u2019est pas muette pour autant. Un prologue de 15 minutes l\u2019ouvre. Quatre personnages berc\u00e9s par une musique agitent une immense b\u00e2che. Puis, les mots r\u00e9sonnent comme un gong. <\/p>\n\n\n\n

Un travail sc\u00e9nographique important<\/strong><\/p>\n\n\n\n

L’espace sc\u00e9nique est occup\u00e9 avec brio dans cette pi\u00e8ce. Rien n’est laiss\u00e9 au hasard<\/strong> ! Tout est calcul\u00e9. Les personnages commencent par habiter la sc\u00e8ne vide puis peu \u00e0 peu, les objets, mat\u00e9riaux et autres \u00e9l\u00e9ments n\u00e9cessaires au bon d\u00e9veloppement de la pi\u00e8ce viennent s’y ajouter. <\/p>\n\n\n\n

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\u00a9J\u00e9r\u00f4me Blin<\/figcaption><\/figure><\/div>\n\n\n\n

D’ailleurs, les artistes ne sont pas que des acteurs. Ils sont aussi spectateurs les uns des autres. <\/strong>Quand l’un d’entre eux est en action, les autres lui font place, lui offrent l’espace sc\u00e9nique, au point de nous rejoindre dans les gradins pour laisser place \u00e0 leur confr\u00e8re. <\/p>\n\n\n\n

Des artistes polyvalents et complets ! <\/strong><\/p>\n\n\n\n

Le langage du corps \u00e9tant au centre de la pi\u00e8ce, la parole est cependant utilis\u00e9. Le fran\u00e7ais, l\u2019arabe, le n\u00e9erlandais, l\u2019anglais sont aussi des moyens de communication par lesquels les artistes s\u2019adressent \u00e0 nous. C’est justement par ce langage si particulier et fort qu’ils nous parlent, nous \u00e9meuvent, interrogent, font rire\u2026<\/strong><\/p>\n\n\n\n

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\u00a9J\u00e9r\u00f4me Blin<\/figcaption><\/figure>\n\n\n\n

Quatre acteurs sur sc\u00e8ne. Entre les rires, \ud83e\udd23les pleurs,\ud83d\ude25 les disputes \ud83d\ude24et les moments de solitude face auxquels ils sont confront\u00e9s, ces derniers semblent vouloir nous transmettre un message\u2026 <\/strong><\/p>\n\n\n\n

D\u2019ailleurs, les performances artistiques dont font part les artistes ont une dimension athl\u00e9tique.<\/strong>\ud83c\udfcb\ufe0f\u200d\u2640\ufe0f Effectivement, \u00e0 la fin de la repr\u00e9sentation, les corps sont fatigu\u00e9s, \u00e0 bout de souffle, ext\u00e9nu\u00e9s par l\u2019effort. Vuln\u00e9rables. <\/strong><\/p>\n\n\n\n

Une intrigue (?) d\u00e9cousue <\/strong><\/p>\n\n\n\n

Nathalie BEASSE nous emm\u00e8ne dans un univers particuli\u00e8rement po\u00e9tique.<\/strong> La pi\u00e8ce se compose de divers tableaux vivants, \ud83d\uddbc. La signature de chacun de ses tableaux est l\u2019usage de mat\u00e9riaux. Le sable, la boue, l\u2019eau, le bois, les roches rattachent les sc\u00e8nes les unes aux autres. <\/p>\n\n\n\n

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Ce lundi 3 juin, le jeune public du Th\u00e9\u00e2tre de la Bastille est venu nombreux applaudir Le Bruit des arbres qui tombent<\/em>. Dans une salle \u00e0 taille humaine<\/strong>, on s\u2019installe confortablement dans nos fauteuils rouges \u00e9clair\u00e9s par 6 n\u00e9ons blancs avant de d\u00e9couvrir cette pi\u00e8ce qui rompt <\/strong>avec le th\u00e9\u00e2tre classique<\/b>.<\/p>\n\n\n\n

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Restons connect\u00e9s, rejoignez-nous sur Instagram<\/a><\/strong> et Facebook<\/a><\/strong> \ud83d\ude03<\/p>\n\n\n\n

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Repr\u00e9sent\u00e9e au Th\u00e9\u00e2tre de la Bastille, Le Bruit des arbres qui tombent, est bien plus qu’une pi\u00e8ce de th\u00e9\u00e2tre. C’est une performance artistique \u00e0 travers laquelle le spectateur voyage, en immersion dans un univers po\u00e9tique. S\u2019inscrivant dans la lign\u00e9e dans Happy Child, entre th\u00e9\u00e2tre, danse et arts plastiques. Elle y insiste sur la vuln\u00e9rabilit\u00e9 de l\u2019Homme …<\/p>\n

Le Bruit des arbres qui tombent : quand \u00ab\u00a0Th\u00e9\u00e2tre\u00a0\u00bb rime avec \u00ab\u00a0Performance\u00a0\u00bb<\/span> Lire la suite\u00a0\u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":502,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spectacle"],"yoast_head":"\nLe Bruit des arbres qui tombent : quand "Th\u00e9\u00e2tre" rime avec "Performance" - Culture Bien-\u00eatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/talivera.fr\/actualites\/quand-theatre-rime-avec-performance\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Bruit des arbres qui tombent : quand "Th\u00e9\u00e2tre" rime avec "Performance" - Culture Bien-\u00eatre\" \/>\n<meta property=\"og:description\" content=\"Repr\u00e9sent\u00e9e au Th\u00e9\u00e2tre de la Bastille, Le Bruit des arbres qui tombent, est bien plus qu’une pi\u00e8ce de th\u00e9\u00e2tre. 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