{"id":2898,"date":"2020-09-23T15:07:00","date_gmt":"2020-09-23T13:07:00","guid":{"rendered":"https:\/\/talivera.fr\/actualites\/?p=2898"},"modified":"2020-11-05T12:43:07","modified_gmt":"2020-11-05T11:43:07","slug":"zoom-artiste-cindy-sherman-la-photographe-aux-mille-visages","status":"publish","type":"post","link":"https:\/\/talivera.fr\/actualites\/zoom-artiste-cindy-sherman-la-photographe-aux-mille-visages\/","title":{"rendered":"Zoom artiste : Cindy Sherman, la photographe aux mille visages"},"content":{"rendered":"\n

Cindy Sherman, la photographe aux mille visages<\/h2>\n\n\n\n

La peinture pour origine <\/h2>\n\n\n\n

Cindy Sherman est n\u00e9e en 1954 dans le New Jersey o\u00f9 rapidement elle s\u2019int\u00e9resse \u00e0 l\u2019art. Elle rentre alors \u00e0 l’universit\u00e9 de Buffalo pour l’\u00e9tudier en 1972. Elle se sp\u00e9cialise d\u2019abord dans la peinture, mais rapidement celle-ci lui appara\u00eet insuffisante et trop traditionnelle. C\u2019est ainsi qu\u2019elle va se tourner vers la photographie pour r\u00e9aliser sa premi\u00e8re s\u00e9rie \u00ab Untitled A-E \u00bb. <\/p>\n\n\n\n

\"\"
Untitled A<\/em>, 1975. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Cette s\u00e9rie en noir et blanc contient d\u00e9j\u00e0 en germes tout le travail et les th\u00e9matiques futures de Cindy Sherman : se portant sur l\u2019American Way of Life<\/strong><\/em> ou le mode de vie am\u00e9ricain tel qu’id\u00e9alis\u00e9 par la pop culture et les publicit\u00e9s, Cindy Sherman ne cessera de d\u00e9peindre les st\u00e9r\u00e9otypes qui y sont attach\u00e9s tout au long de sa carri\u00e8re. <\/p>\n\n\n\n

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Untitled Film <\/em>#2, 1977. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Si Cindy Sherman abandonne rapidement la peinture pour se tourner d\u00e9finitivement vers la photographie, il n\u2019en demeure pas moins que ses clich\u00e9s restent fortement influenc\u00e9s par la pratique de la peinture. <\/p>\n\n\n\n

Avec leurs mises en sc\u00e8nes aux couleurs vives presque irr\u00e9elles, les photos de Cindy Sherman se rapprochent plus de portraits soigneusement chor\u00e9graphi\u00e9es que de clich\u00e9s pris sur le vif. Rien n\u2019est spontan\u00e9 dans ses photos, tout est soigneusement pr\u00e9par\u00e9 et compos\u00e9 \u00e0 la mani\u00e8re d\u2019un tableau. <\/p>\n\n\n\n

Certaines de ses photos font m\u00eame r\u00e9f\u00e9rence directe \u00e0 des \u0153uvres d\u2019arts c\u00e9l\u00e8bres, que ce soit \u00e0 des ic\u00f4nes religieuses qu’\u00e0 des tableaux de toutes \u00e9poques. <\/p>\n\n\n\n

\"\"
Untitled #223<\/em>, issue de la s\u00e9rie \u00a0\u00bb History Portraits\/Old Masters \u00ab\u00a0, 1990. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Mais la peinture n’est pas la seule pratique artistique omnipr\u00e9sente dans l’oeuvre de Sherman : le cin\u00e9ma hante \u00e9galement sa photographie depuis ses d\u00e9buts o\u00f9 elle se mettait en sc\u00e8ne sous les traits d’une femme \u00e0 l’allure hitchcockienne. Cindy Sherman donne ainsi \u00e0 voir chaque repr\u00e9sentation de la femme selon les \u00e9poques ou les courants artistiques, dans la peinture traditionnelle aussi bien que dans la pop culture, montrant ainsi les attentes physiques mais aussi morales qui p\u00e8sent sur elles au cours de l’histoire. <\/p>\n\n\n\n

\"\"
Untitled Film Still<\/em>, 1978. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n
\"\"
Untitled (as Marilyn Monroe)<\/em>, 1981. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Une artiste conceptuelle<\/h2>\n\n\n\n

Cindy Sherman se d\u00e9finit comme une artiste conceptuelle. Mais qu\u2019est-ce-que l\u2019art conceptuel exactement ? L\u2019art conceptuel<\/strong> est un courant artistique n\u00e9 dans les ann\u00e9es 60 dans les pays anglo-saxons et port\u00e9 par des artistes comme Marcel Duchamp en France. Ce mouvement pr\u00f4ne la sup\u00e9riorit\u00e9 de l’id\u00e9e \u00e0 la beaut\u00e9 dans l’art. La r\u00e9ussite esth\u00e9tique n\u2019est plus l\u2019objectif recherch\u00e9 d\u2019une \u0153uvre, il s\u2019agit de cr\u00e9er du sens et que l’image soit porteuse d\u2019une ambition intellectuelle. <\/p>\n\n\n\n

Pour Sherman, la photo ne doit pas donc pas chercher la beaut\u00e9 \u2013 \u00e0 l\u2019inverse de la photographie de mode \u2013 mais plut\u00f4t le r\u00e9alisme. La photo doit donner \u00e0 voir le r\u00e9el et devenir r\u00e9v\u00e9latrice d\u2019un message. Pour Sherman ce message sera la d\u00e9nonciation de st\u00e9r\u00e9otypes f\u00e9minins et la repr\u00e9sentation des femmes dans toute leur diversit\u00e9.<\/p>\n\n\n\n

\"\"
Untitled #355, <\/em>2000. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Le travail de Sherman va alors se diviser en s\u00e9ries th\u00e9matiques qui vont toutes venir s’attacher \u00e0 cet objectif sous diff\u00e9rentes facettes : \u00ab\u00a0Rear Screen Projections\u00a0\u00bb va ainsi s’attaquer \u00e0 la repr\u00e9sentation de la femme au cin\u00e9ma, \u00ab\u00a0Fashion\u00a0\u00bb \u00e0 la photo de mode et \u00ab\u00a0Hollywood\/ Hampton Types\u00a0\u00bb \u00e0 diff\u00e9rents portraits de femme caricatur\u00e9es. Au centre de son travail se place donc toujours l’id\u00e9e de questionner les images, d’aller au del\u00e0 de celles-ci pour venir d\u00e9construire la notion de repr\u00e9sentation. Il s’agit de donner \u00e0 voir les clich\u00e9s pour mieux les d\u00e9truire. <\/p>\n\n\n\n

\"\"
Untitled #577, <\/em>2016\/2018. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Cindy Sherman pour mod\u00e8le<\/h2>\n\n\n\n

La grande majorit\u00e9 des \u0153uvres de Cindy Sherman sont des autoportraits<\/strong>. Elle est cependant toujours grim\u00e9e au point d\u2019en devenir souvent m\u00e9connaissable ! Perruques, costumes voir m\u00eame proth\u00e8ses, Cindy Sherman sait jouer tous les r\u00f4les et rev\u00eatir tous les visages. Son objectif est de repr\u00e9senter les femmes, toutes les femmes, de toute \u00e9poque, \u00e2ges ou origines sociales. <\/p>\n\n\n\n

Au centre de son \u0153uvre se retrouve donc un questionnement sur l\u2019identit\u00e9<\/strong>, sur ce qui la constitue et sur l\u2019apparence qu\u2019elle rev\u00eat. Ceci donne donc des \u0153uvres ultra r\u00e9f\u00e9renc\u00e9es dans leur \u00e9poque et dans les codes culturels qui y sont associ\u00e9es. <\/p>\n\n\n\n

La m\u00e9tamorphose est donc l\u2019activit\u00e9 centrale de Cindy Sherman : ses \u0153uvres en deviennent \u00e0 la fois comiques et d\u00e9rangeantes car le corps est parfaitement mall\u00e9able et plastique, toujours \u00e0 la fronti\u00e8re de la caricature ou de la grimace. <\/p>\n\n\n\n

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Untitled #74, <\/em>1980. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Une photographe f\u00e9ministe ? <\/h2>\n\n\n\n

Sherman ne qualifie elle-m\u00eame pas son travail de f\u00e9ministe. Cependant beaucoup d\u00e9finissent la photographe comme une artiste engag\u00e9e<\/strong> et ce depuis ses d\u00e9buts en 1975. En effet, l\u2019artiste place au centre de son travail la d\u00e9nonciation de st\u00e9r\u00e9otypes majoritairement f\u00e9minins. <\/p>\n\n\n\n

L\u2019injonction \u00e0 la jeunesse, les diff\u00e9rences de classes sociales entre femmes bourgeoises et femmes issues de milieu populaires, les repr\u00e9sentations au cin\u00e9ma, la charge mentale\u2026 Toutes les probl\u00e9matiques centrales des questions f\u00e9ministes sont au premier plan de l\u2019\u0153uvre de Sherman. <\/p>\n\n\n\n

En donnant \u00e0 voir des st\u00e9r\u00e9otypes elle les rend directement visibles dans toute leur absurdit\u00e9 au spectateur. A l\u2019inverse, en photographiant des personnages souvent absentes de la pop culture (des femmes \u00e2g\u00e9es ou difformes par exemple) elle met ainsi en \u00e9vidence leur absence habituelle de la sc\u00e8ne artistique et culturelle. Le public est directement confront\u00e9 au sexisme des situations pourtant ordinaires repr\u00e9sent\u00e9es. Cindy Sherman, une artiste f\u00e9ministe malgr\u00e9 elle<\/strong> !<\/p>\n\n\n\n

\"\"
Untitled #574<\/em>, 2016. Courtesy of the Artist and Metro Pictures<\/figcaption><\/figure><\/div>\n\n\n\n

Cindy Sherman mise \u00e0 l’honneur \u00e0 la Fondation Louis Vuitton<\/h2>\n\n\n\n

Pour la premi\u00e8re fois depuis 2006 en France, la Fondation Louis Vuitton accueille une r\u00e9trospective de l’oeuvre de Cindy Sherman jusqu’en janvier 2021. Construite en \u00e9troite collaboration avec l’artiste, l’exposition met en sc\u00e8ne 170 photographies de Cindy Sherman, de ses d\u00e9buts en 1975 jusqu’\u00e0 des photos r\u00e9centes et in\u00e9dites. Une occasion absolument inratable d’aller d\u00e9couvrir une des artistes incontournables de la photographie actuelle ! <\/p>\n\n\n\n

Et pour conclure, une photo de Cindy Sherman non costum\u00e9e : absolument m\u00e9connaissable ! <\/p>\n\n\n\n

\"\"
@justaplatform<\/figcaption><\/figure><\/div>\n\n\n\n

Restons connect\u00e9s, rejoignez-nous sur Instagram<\/a><\/strong> et Facebook<\/a><\/strong> \ud83e\udd70<\/p>\n","protected":false},"excerpt":{"rendered":"

Cindy Sherman<\/p>\n","protected":false},"author":1,"featured_media":2925,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21,125,135],"tags":[11,144,142,143],"class_list":["post-2898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition-2","category-les-news","category-zoom-artiste","tag-art","tag-artengage","tag-photographe","tag-selfiartistique"],"yoast_head":"\nZoom artiste : Cindy Sherman, la photographe aux mille visages - Culture Bien-\u00eatre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/talivera.fr\/actualites\/zoom-artiste-cindy-sherman-la-photographe-aux-mille-visages\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" 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